此畫山體清俊峭拔，山頂積雪尚未融化，底下已是鬱鬱蔥蔥；山間雲霧繚繞，行於山腳河中的帆船則只見其帆不見其船，若隱若現；近處松樹森然而立，一間房屋半隱於山林。在賦色上將青綠發揮的淋漓盡致，強調色彩的濃淡變化，體現層次感。張大千在青綠山水藝術上的創新，卻是大家一致公認的。研讀中國山水畫史，我們知道中國山水畫徹底從人物畫中獨立成科，是從青綠開始的。可以說，青綠藝術的完善，最終完善了中國山水畫的藝術主體性，同時創造了山水畫藝術的第一次高峰。張大千遊歷世界，獲得巨大的國際聲譽，被西方藝壇贊為“東方之筆”。

        This mountain kiyotoshi Qiaoba, snow has not melted, is under the mountain clouds, a wild profusion of vegetation; in the river at the foot of the sail is only their sails can not see the ship, standing near pine woodland, partly hidden and partly visible; a house half hidden in the mountains. In the color of the color of the full use of green, emphasis on color change, reflecting the sense of hierarchy. Zhang Daqian's innovation in the green landscape art is generally accepted. Study China landscape painting, we know Chinese landscape painting from the painting completely independent family, is to start from the green. It can be said that the perfection of green art eventually perfected the artistic subjectivity of Chinese landscape painting, and created the first peak of the landscape painting art. Zhang Daqian traveled the world, won great international reputation, was praised as "Oriental western art pen".