佘玅枝（1943-1999），乃浙江寧波人，早歲習醫護。性嗜丹青，上世紀六十年代來港，入嶺南藝苑，列趙少昂門牆，亦從黃君璧、黎雄才、商承祚遊。與少昂師徒關係深厚，並結父女之誼，不少作品具老師題識，稱其曰「誼女」。她公務繁忙，惟好學不懈，勤於下筆，且資性穎悟，一九八○年於香港大會堂首次舉辦個展，反應熱烈。八二年十月，與乃師趙少昂應中國美術家協會之邀，在北京中國美術館舉行個展，乃「改革開放」以後，香港畫家首次在京展出，盛況空前。
活躍於文藝界廿多年間，她常往返內地，與南北畫家往來頻仍，常相雅敍，切磋藝事，獲寫贈外，常有合繪，亦可直接購得心儀之作。她精心蒐集者，以二十世紀為主，且親筆紀錄來源心得，甚為寶愛。本輯包括其師趙少昂寫贈之竹禽、黎雄才之松林，及直接得自藝壇前輩唐雲及馮康侯者，亦有與摯友範曾之合作畫，以及宋文治、亞明到訪「清音閣」時合寫之作；尤為難得者，乃一九八二年北京個展中，由與會者題識誌念之冊頁，京華藝壇名宿雲集，美言嘉語，書畫增輝，當年個展哄動盛況，足堪想像！
Shemiaozhi(1943-1999) is a native of Ningbo, Zhejiang Province. Sexually addicted to Danqing, who came to Hong Kong in the 1960s, entered Lingnan Yiyuan, listed Zhao Shao'an Gate Wall, and also traveled from Huang Junyi, Li Xiongcai and Shang Cheng. He has a deep relationship with the lesser masters and apprentices, and he has a friendship with his father and daughter. Many of his works have a teacher's inscription and call him a "love girl." She is busy with her business, but she is very hard-working, diligent in writing, and savvy. In 1980, she held her solo exhibition at the Hong Kong City Hall. In October of 1982, with the invitation of the Chinese Artists Association, Zhao Shaoang held a solo exhibition at the China National Art Museum in Beijing. After the "reform and opening up", Hong Kong painters exhibited for the first time in Beijing.
Active in the literary and art circles for many years, she often travels to and from the mainland, and often communicates with the North and South painters. She often talks about art, learns about art, gets a gift, often has a painting, and can also directly purchase the favorite. She carefully collected the people, mainly in the twentieth century, and personally recorded the source of the experience, very treasure. This series includes the bamboo poultry written by his teacher Zhao Shao'ang, the pine forest of Li Xiongcai, and the former Tang Yun and Feng Kanghou, who are directly from the art world. They also have a collaboration with Yan Youfan, and Song Wenzhi and Yaming visited the Qingyin Pavilion. "When the time is written, it is especially rare. In the 1982 Beijing solo exhibition, the participants read the album of the commemoration, the Jinghua art scene was gathered, the beautiful words, the paintings and paintings increased, and the solo exhibitions in the same year. Imagine!
