这件作品可谓是他多年风格的集大成之作。画中的蓝衣仕女侧坐于轻纱幔帐前，发式类似未及笄的少女，双髻垂于耳侧。鹅蛋形秀丽的脸庞上有着纤细的眼睛、淡淡的弯眉和小小的嘴。她的姿态娴雅文静，眼睑低垂微微颔首，十指纤纤抚笛沉思。背景中的织物，先上重彩，再以特制细笔加白粉，营造出背光透明的纱质感。据1960年代与林风眠来往最密的学生潘其鎏回忆，多次得他教诲“两线之间的平涂，中间的色度最为难画”，这是林风眠取法敦煌壁画后得出的结论。

        This work is a collection of his many years of style. The blue woman in the painting sits on her side in front of the veil of light gauze. Her hair is like a virgin hair, and her hair is hanging in a bun over her ear. The beautiful oval face has fine eyes, a slight curved brow and a small mouth. Her manner was quiet and graceful, her eyelids drooped and her head bowed slightly, her fingers taut and brooding. The fabric in the background, first on the heavy color, and then with a special fine pen add white powder, create a backlight transparent yarn texture. According to the 1960 s with Lin Fengmian closest students Pan Jiliu memories, many times he taught "flat, between the two lines in the middle of the color is the most difficult painting", this is the conclusion after determining the Lin Fengmian dunhuang murals.