李可染的山水畫在20世紀50年代時已經確立了“李家山水”的基本格局，具有奇異突兀的美感和鮮明的時代氣息，迥異於時風。至60年代初，李可染進入藝術創作高峰期，這個階段他提出“采壹煉十”的主張，意在強調寫生對於創作的重要性。
In the 1950s, li's landscape painting has already established the basic pattern of "li jia landscape", which has a strange and abrupt aesthetic feeling and a distinct atmosphere of The Times, which is different from the time wind. At the beginning of the 1960s, li kefei entered the peak of artistic creation. At this stage, he proposed the idea of "picking a ten", which was intended to emphasize the importance of sketching for creation.
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